descripção
Fünf Kleine Stücke was written for Dr. Daniel Pewsner in thanks for many favors and good friendship. Also for my new found love of Switzerland and its many graces and lovely medieval towns, such as Basel, Bern and Solothurn.
Fünf Kleine Stücke
I. Sequenz I
II. Basel, 1298
III. Lindenberg, 2017
IV. Durch den Rhein
V. Sequenz II
The five works are conceived as studies, tone poems they might be called. The prime purpose of any study is to achieve the maximum resonance of the guitar with beautiful tone in any technical circumstance. So a study takes a particular pattern and repeats it a bit more than normal. The several problems presented here are: scales with slurs, thus the two “Sequenz,” or sequences, that are inspired by the medieval form, and feature long scales with slurs, slurs that need to be incorporated into the flow, or pattern, with strength, clarity and fluidity; Basel, 1298 and the following Lindenberg, 2017 (the street on which these works were composed) focus on im chords, two note intervals, that span all six strings, demanding the right wrist be fluid and accommodate all strings so that the tone remains consistent (though variable as dictated by musical demands or inspiration); and the third major focus is simply melody and accompaniment, though in #4, Durch den Rhein, the melody constantly shifts between bass and soprano.